THE POWER OF GREY
— STUDIO OLIVER GUSTAV
ART
A tribute to the poetic yet haunting atmospheres of the canvases of Vilhelm Hammershøi (1864-1916), designer Oliver Gustav’s studio gallery is modelled on the oil-on-canvas interior paintings of the fêted Danish artist. A self-confessed extreme minimalist, Gustav finds his own sensibilities reflected in Hammershøi’s spareness.
“I need to show objects at the studio but I’ve always preferred very pared-down spaces where I can rest my eyes. That’s why I reflect Hammershøi’s paintings. His architectural details and sharp corners were character enough.”
Exploring the impact of Hammershøi’s mastery over the limited and cold Nordic light, and how this is reflected within his own studio space, Gustav discusses his succinct homage to Hammershøi’s distinctive vision.
The story of Hammershøi’s artwork as guide for the studio of Oliver Gustav is featured in Ark Journal VOL III.
WORDS TILI BENSLEY-NETTHEIM
PHOTOGRAPHY PETER RØDSGAARD RASMUSSEN
A ROOM WITH A VIEW
A diminutive wooden dwelling on stilts among forest trees focuses attention on interior details to heighten the contrast between its small scale and the vastness of nature.
CASE STUDY
— NEW FOLK
Whether using traditional or innovative materials, designers lean on the craft and expertise of former practitioners to carve, shape, mould or weave.
THE SHAPE OF LIGHT
— ARK X GUBI
In collaboration with Gubi, and to celebrate the brand’s new lighting collections, Ark Journal’s creative team produced a photo essay inspired by the Californian mid-century modern architectural style.
THE POWER OF GREY — STUDIO OLIVER GUSTAV
ART
A tribute to the poetic yet haunting atmospheres of the canvases of Vilhelm Hammershøi (1864-1916), designer Oliver Gustav’s studio gallery is modelled on the oil-on-canvas interior paintings of the fêted Danish artist. A self-confessed extreme minimalist, Gustav finds his own sensibilities reflected in Hammershøi’s spareness.
“I need to show objects at the studio but I’ve always preferred very pared-down spaces where I can rest my eyes. That’s why I reflect Hammershøi’s paintings. His architectural details and sharp corners were character enough.”
Exploring the impact of Hammershøi’s mastery over the limited and cold Nordic light, and how this is reflected within his own studio space, Gustav discusses his succinct homage to Hammershøi’s distinctive vision.
The story of Hammershøi’s artwork as guide for the studio of Oliver Gustav is featured in Ark Journal VOL III.
WORDS TILI BENSLEY-NETTHEIM
PHOTOGRAPHY PETER RØDSGAARD RASMUSSEN