THE POWER OF GREY
— STUDIO OLIVER GUSTAV
ART
A tribute to the poetic yet haunting atmospheres of the canvases of Vilhelm Hammershøi (1864-1916), designer Oliver Gustav’s studio gallery is modelled on the oil-on-canvas interior paintings of the fêted Danish artist. A self-confessed extreme minimalist, Gustav finds his own sensibilities reflected in Hammershøi’s spareness.
“I need to show objects at the studio but I’ve always preferred very pared-down spaces where I can rest my eyes. That’s why I reflect Hammershøi’s paintings. His architectural details and sharp corners were character enough.”
Exploring the impact of Hammershøi’s mastery over the limited and cold Nordic light, and how this is reflected within his own studio space, Gustav discusses his succinct homage to Hammershøi’s distinctive vision.
The story of Hammershøi’s artwork as guide for the studio of Oliver Gustav is featured in Ark Journal VOL III.
WORDS TILI BENSLEY-NETTHEIM
PHOTOGRAPHY PETER RØDSGAARD RASMUSSEN
CASE STUDY
— NEW DANISH NOW
Experimental investigations expressed in biomorphic and primitive forms. New shapes and volumes by design talents.
ARCHITECT MADE
— CASE STUDY
The collaboration between designed spaces and specifically designed objects threads through Danish architectural practice and has resulted in classics created by such renowned architects as Arne Jacobsen, Finn Juhl and Poul Henningsen.
CREATIVE CAST
— PORTFOLIO
Cast architectural models inhabit the fine line between art and architecture. Welcomed into homes as if they are sculptures, these once functional objects exist somewhere between inconclusiveness and completeness, and reach into our unconscious to provoke a multitude of interpretations.
THE POWER OF GREY — STUDIO OLIVER GUSTAV
ART
A tribute to the poetic yet haunting atmospheres of the canvases of Vilhelm Hammershøi (1864-1916), designer Oliver Gustav’s studio gallery is modelled on the oil-on-canvas interior paintings of the fêted Danish artist. A self-confessed extreme minimalist, Gustav finds his own sensibilities reflected in Hammershøi’s spareness.
“I need to show objects at the studio but I’ve always preferred very pared-down spaces where I can rest my eyes. That’s why I reflect Hammershøi’s paintings. His architectural details and sharp corners were character enough.”
Exploring the impact of Hammershøi’s mastery over the limited and cold Nordic light, and how this is reflected within his own studio space, Gustav discusses his succinct homage to Hammershøi’s distinctive vision.
The story of Hammershøi’s artwork as guide for the studio of Oliver Gustav is featured in Ark Journal VOL III.
WORDS TILI BENSLEY-NETTHEIM
PHOTOGRAPHY PETER RØDSGAARD RASMUSSEN