TERRA IGNOTA
— ÅKE E:SON LINDMAN
ART
The chemigrams of Åke E: son Lindman swap the literalness of his highly regarded architecture photos for the uncertain procedure of creating images without a camera or a subject. Using chemicals directly on light-sensitive paper, Terra Ignota, Latin for “foreign lands”, is a series of dreamy landscape-like images. See the special insert in Ark Journal Volume V.
Images by ÅKE E:SON LINDMAN
RE RUIN — HOME BERLIN
Building their home amid the ruins of an abandoned GDR property in east Berlin gave artist Anselm Reyle and architect Tanja Lincke the chance to rediscover the beauty of creative freedom.
MAKING THE INVISIBLE VISIBLE – ANN VERONICA JANSSENS
Growing up in Kinshasa, Ann Veronica Janssens would often watch the sunset and sunrise, specifically the deep shades of violets, yellows, pinks and reds that swept across the sky, over the nearby mountains.
FRANCISCO JAVIER SÁENZ DE OIZA’S TORRES BLANCAS
Navarra-born, Francisco Javier Sáenz De Oiza is regarded as one of the most prolific Spanish architects of the twentieth century. In the 1950s, following an unimaginative return to the neo-classical style under Generalissimo Franco, Oiza, with peers Francisco de Asis Cabrero, and Miguel Fisac, began integrating international architectural vernaculars in their search for a Spanish Modernism.
TERRA IGNOTA — ÅKE E:SON LINDMAN
ART
The chemigrams of Åke E: son Lindman swap the literalness of his highly regarded architecture photos for the uncertain procedure of creating images without a camera or a subject. Using chemicals directly on light-sensitive paper, Terra Ignota, Latin for “foreign lands”, is a series of dreamy landscape-like images. See the special insert in Ark Journal Volume V.
Images by ÅKE E:SON LINDMAN