CREATIVE TRANSITIONS

CREATIVE TRANSITIONS

Based on the loops and twists of the Möbius strip, an icon of mid-century Mexican design has become an integral part of the creative process for its custodian, designer and ceramicist Perla Valtierra.

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BACKYARD REFUGE

BACKYARD REFUGE

Small but perfectly matched, two residences in a courtyard are reduced to the essentials using quality materials and maximum light to create welcoming tranquillity.

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A ROOM WITH A VIEW

A ROOM WITH A VIEW

A diminutive wooden dwelling on stilts among forest trees focuses attention on interior details to heighten the contrast between its small scale and the vastness of nature.

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CREATIVE TRANSITIONS

CREATIVE TRANSITIONS

Based on the loops and twists of the Möbius strip, an icon of mid-century Mexican design has become an integral part of the creative process for its custodian, designer and ceramicist Perla Valtierra.

read more
THE POWER OF GREY— STUDIO OLIVER GUSTAV

THE POWER OF GREY
— STUDIO OLIVER GUSTAV

A tribute to the poetic yet haunting atmospheres of the canvases of Vilhelm Hammershøi (1864-1916), designer Oliver Gustav’s studio gallery is modelled on the oil-on-canvas interior paintings of the fêted Danish artist.

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MODERN MEMOIR — HOME MILAN

MODERN MEMOIR — HOME MILAN

Part private base part project, the Milan home of Studiopepe partner Arianna Lelli Mami and photographer Andrea Ferrari is a repository of memories and a composite of their individual and shared aesthetic sensibilities.

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RE RUIN — HOME BERLIN

RE RUIN — HOME BERLIN

Building their home amid the ruins of an abandoned GDR property in east Berlin gave artist Anselm Reyle and architect Tanja Lincke the chance to rediscover the beauty of creative freedom.

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FRANCISCO JAVIER SÁENZ DE OIZA’S TORRES BLANCAS

FRANCISCO JAVIER SÁENZ DE OIZA’S TORRES BLANCAS

Navarra-born, Francisco Javier Sáenz De Oiza is regarded as one of the most prolific Spanish architects of the twentieth century. In the 1950s, following an unimaginative return to the neo-classical style under Generalissimo Franco, Oiza, with peers Francisco de Asis Cabrero, and Miguel Fisac, began integrating international architectural vernaculars in their search for a Spanish Modernism.

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