prINCIPLES OF FREEDOM
— HALLERÖD HOUSE
home
On the island of Blidö in the Swedish archipelago, Halleroed founders, Christian and Ruxandra Halleröd, found the freedom to design for pleasure within a forest of fir, pine and juniper trees. The house, with its irregular four-pronged shape unified by a high gabled roof, became an exploration of their intuitive process as they abandoned the structure of their professional projects that include ground-breaking retail interiors. They allowed themselves to be more eclectic, aiming for the feel of a cottage, and the cabin has become home to the couple’s collection of art and design. The resulting property is one that expresses pleasure, both simple and luxurious, in thoughtful ways. In Ark Journal Volume V, the conversation between museum Director Kieran Long and the Halleröds ranges across the Swedish architectural canon and their career trajectories as well as their forest home.
STYLING HELLE WALSTED
PHOTOGRAPHY WICHMANN + BENDTSEN
TAILORED INTERIOR
In the small Belgian village of Itegem, interior architect Peter Ivens discovered a unique and exotic villa with well-preserved 1920’s details reminiscent of a classical British colonial style – a central stairway, symmetrical plan, alcove windows, hipped roof and upper dormer windows.
CASE STUDY
— MONUMENTAL MONOCHROME
The enduring aesthetic of Danish furniture has always been entirely in step with other contemporary design practices, ceramics, glass, textiles, and particularly architecture.
LANDON METZ
Space is important to Landon Metz. In his art, pools of colour float across canvas leaving vast areas of unprimed fabric. In his studio the same sense of space – and the importance of the negative – is evident in the blanks between sparsely scattered furniture and plants.
PRINCIPLES OF FREEDOM
— HALLERÖD HOUSE
HOME
On the island of Blidö in the Swedish archipelago, Halleroed founders, Christian and Ruxandra Halleröd, found the freedom to design for pleasure within a forest of fir, pine and juniper trees. The house, with its irregular four-pronged shape unified by a high gabled roof, became an exploration of their intuitive process as they abandoned the structure of their professional projects that include ground-breaking retail interiors. They allowed themselves to be more eclectic, aiming for the feel of a cottage, and the cabin has become home to the couple’s collection of art and design. The resulting property is one that expresses pleasure, both simple and luxurious, in thoughtful ways. In Ark Journal Volume V, the conversation between museum Director Kieran Long and the Halleröds ranges across the Swedish architectural canon and their career trajectories as well as their forest home.