HOME AS A PASSAGE OF TIME
– MICHAEL ANASTASSIADES
Home
Best known for lights, Michael Anastassiades lives in a pared-back, deeply considered manner, a way of life reduced to its essence. Anastassiades has long been a huge fan of the Danish movement and it’s a strong reference in his work. That the Danish modern designers were able to come up with a completely new idiom to suit their contemporary way of life at the same time as referencing layers of history, is what makes their work so appealing, and ultimately timeless, he says.
“LOOKING AT DESIGN THROUGH THE TIMES, THIS NEGOTIATION THAT THE DESIGNER HAS ALWAYS HAD WITH SOCIETY AND THE VALUES THAT DEFINE SOCIETY HAS BEEN VERY IMPORTANT IN THE END RESULT.”
In Ark Journal VOL IV we visit Anastassiades in his London home for a discussion about his collaboration with classic furniture specialist Dansk Møbelkunst.
WORDS Jeni Porter
PHOTOGRAPHY Alexandros Pissourios
OPEN PLAN
In 2018 Belgian architect Bruno Spaas discovered a space, an empty shell, on the top floor of a 15-storey tower building in Antwerp and with his newly founded architectural office, he initiated a capacious and free-spirited project that could serve as his future business card.
STUDIO YK
Among the greats of Finnish design, Yrjö Kukkapuro defies categorisation. He lives as he designs, with a pragmatism that never compromises on experimentation and imagination, and he is a cornerstone of contemporary Finnish design and visual culture.
CASE STUDY — INVENTIVE CRAFT
Today’s makers transcend time and space to mould their vision, imbuing objects with meaning and materiality.
HOME AS A PASSAGE OF TIME
– MICHAEL ANASTASSIADES
Home
Best known for lights, Michael Anastassiades lives in a pared-back, deeply considered manner, a way of life reduced to its essence. Anastassiades has long been a huge fan of the Danish movement and it’s a strong reference in his work. That the Danish modern designers were able to come up with a completely new idiom to suit their contemporary way of life at the same time as referencing layers of history, is what makes their work so appealing, and ultimately timeless, he says.
“LOOKING AT DESIGN THROUGH THE TIMES, THIS NEGOTIATION THAT THE DESIGNER HAS ALWAYS HAD WITH SOCIETY AND THE VALUES THAT DEFINE SOCIETY HAS BEEN VERY IMPORTANT IN THE END RESULT.”
In Ark Journal VOL IV we visit Anastassiades in his London home for a discussion about his collaboration with classic furniture specialist Dansk Møbelkunst.
WORDS Jeni Porter
PHOTOGRAPHY Alexandros Pissourios