HOME AS A PASSAGE OF TIME
– MICHAEL ANASTASSIADES
Home
Best known for lights, Michael Anastassiades lives in a pared-back, deeply considered manner, a way of life reduced to its essence. Anastassiades has long been a huge fan of the Danish movement and it’s a strong reference in his work. That the Danish modern designers were able to come up with a completely new idiom to suit their contemporary way of life at the same time as referencing layers of history, is what makes their work so appealing, and ultimately timeless, he says.
“LOOKING AT DESIGN THROUGH THE TIMES, THIS NEGOTIATION THAT THE DESIGNER HAS ALWAYS HAD WITH SOCIETY AND THE VALUES THAT DEFINE SOCIETY HAS BEEN VERY IMPORTANT IN THE END RESULT.”
In Ark Journal VOL IV we visit Anastassiades in his London home for a discussion about his collaboration with classic furniture specialist Dansk Møbelkunst.
WORDS Jeni Porter
PHOTOGRAPHY Alexandros Pissourios
RE RUIN — HOME BERLIN
Building their home amid the ruins of an abandoned GDR property in east Berlin gave artist Anselm Reyle and architect Tanja Lincke the chance to rediscover the beauty of creative freedom.
MAKING THE INVISIBLE VISIBLE – ANN VERONICA JANSSENS
Growing up in Kinshasa, Ann Veronica Janssens would often watch the sunset and sunrise, specifically the deep shades of violets, yellows, pinks and reds that swept across the sky, over the nearby mountains.
FRANCISCO JAVIER SÁENZ DE OIZA’S TORRES BLANCAS
Navarra-born, Francisco Javier Sáenz De Oiza is regarded as one of the most prolific Spanish architects of the twentieth century. In the 1950s, following an unimaginative return to the neo-classical style under Generalissimo Franco, Oiza, with peers Francisco de Asis Cabrero, and Miguel Fisac, began integrating international architectural vernaculars in their search for a Spanish Modernism.
HOME AS A PASSAGE OF TIME
– MICHAEL ANASTASSIADES
Home
Best known for lights, Michael Anastassiades lives in a pared-back, deeply considered manner, a way of life reduced to its essence. Anastassiades has long been a huge fan of the Danish movement and it’s a strong reference in his work. That the Danish modern designers were able to come up with a completely new idiom to suit their contemporary way of life at the same time as referencing layers of history, is what makes their work so appealing, and ultimately timeless, he says.
“LOOKING AT DESIGN THROUGH THE TIMES, THIS NEGOTIATION THAT THE DESIGNER HAS ALWAYS HAD WITH SOCIETY AND THE VALUES THAT DEFINE SOCIETY HAS BEEN VERY IMPORTANT IN THE END RESULT.”
In Ark Journal VOL IV we visit Anastassiades in his London home for a discussion about his collaboration with classic furniture specialist Dansk Møbelkunst.
WORDS Jeni Porter
PHOTOGRAPHY Alexandros Pissourios