HOME AS A PASSAGE OF TIME
– MICHAEL ANASTASSIADES
Home
Best known for lights, Michael Anastassiades lives in a pared-back, deeply considered manner, a way of life reduced to its essence. Anastassiades has long been a huge fan of the Danish movement and it’s a strong reference in his work. That the Danish modern designers were able to come up with a completely new idiom to suit their contemporary way of life at the same time as referencing layers of history, is what makes their work so appealing, and ultimately timeless, he says.
“LOOKING AT DESIGN THROUGH THE TIMES, THIS NEGOTIATION THAT THE DESIGNER HAS ALWAYS HAD WITH SOCIETY AND THE VALUES THAT DEFINE SOCIETY HAS BEEN VERY IMPORTANT IN THE END RESULT.”
In Ark Journal VOL IV we visit Anastassiades in his London home for a discussion about his collaboration with classic furniture specialist Dansk Møbelkunst.
WORDS Jeni Porter
PHOTOGRAPHY Alexandros Pissourios
OBJECTS AS ARCHITECTURE
— MARCIO KOGAN FOR MINOTTI
Marcio Kogan and his Studio MK27 is a name intimately linked to the contemporary modernist architecture movement in Brazil.
THE POWER OF GREY
— STUDIO OLIVER GUSTAV
A tribute to the poetic yet haunting atmospheres of the canvases of Vilhelm Hammershøi (1864-1916), designer Oliver Gustav’s studio gallery is modelled on the oil-on-canvas interior paintings of the fêted Danish artist.
INSIDE THE MIND — JUDITH HAASE
Architect Judith Haase gets her creative sustenance from many sources: fearless women, avant-garde theatre, the proportions of a tatami mat, and spaces where light is a defining element.
HOME AS A PASSAGE OF TIME
– MICHAEL ANASTASSIADES
Home
Best known for lights, Michael Anastassiades lives in a pared-back, deeply considered manner, a way of life reduced to its essence. Anastassiades has long been a huge fan of the Danish movement and it’s a strong reference in his work. That the Danish modern designers were able to come up with a completely new idiom to suit their contemporary way of life at the same time as referencing layers of history, is what makes their work so appealing, and ultimately timeless, he says.
“LOOKING AT DESIGN THROUGH THE TIMES, THIS NEGOTIATION THAT THE DESIGNER HAS ALWAYS HAD WITH SOCIETY AND THE VALUES THAT DEFINE SOCIETY HAS BEEN VERY IMPORTANT IN THE END RESULT.”
In Ark Journal VOL IV we visit Anastassiades in his London home for a discussion about his collaboration with classic furniture specialist Dansk Møbelkunst.