CREATIVE CAST
— PORTFOLIO
Architecture
Cast architectural models inhabit the fine line between art and architecture. Welcomed into homes as if they are sculptures, these once functional objects exist somewhere between inconclusiveness and completeness, and reach into our unconscious to provoke a multitude of interpretations. Does it have purpose? What does it represent? What is its scale? How was it made?
The enigma of cast objects, in particular scale models, has fascinated artists, craftsmen and collectors for centuries. Concrete or plaster casting has long been compared with archaeology or geology: Le Corbusier famously lined the formwork of his béton brut buildings with shells; Constantin Brâncuși, described the unconscious and archaeological dialogue between mould and cast.
To cast literally means to throw. To send something (forcefully) in a specified direction, but with an uncertain conclusion. The art of the craft lies more with designing what will not be there, than what will. It is the alchemical process of casting that transforms them from object to artefact.
Enjoy this meditation on moulds and casting by Justine Bell in Ark Journal VOL IV.
IMAGE (TOP) MARY DUGGAN ARCHITECTS, CAMPUS, plaster model 1:500
CREATIVE TRANSITIONS
Based on the loops and twists of the Möbius strip, an icon of mid-century Mexican design has become an integral part of the creative process for its custodian, designer and ceramicist Perla Valtierra.
THE REAL PHILLIP LIM
Phillip Lim has changed. The designer sees beauty in another way and his simple beachside shack on Long Island was a catalyst to a shift in perspective and priorities.
DOWN SIZE, UP CYCLE
When creative director at Marimekko Rebekka Bay and her husband Ricky Nordson decided to scale down their lives and living space, they knew their new Copenhagen apartment would require tailor-made design solutions.
CREATIVE CAST — PORTFOLIO
Architecture
Cast architectural models inhabit the fine line between art and architecture. Welcomed into homes as if they are sculptures, these once functional objects exist somewhere between inconclusiveness and completeness, and reach into our unconscious to provoke a multitude of interpretations. Does it have purpose? What does it represent? What is its scale? How was it made?
The enigma of cast objects, in particular scale models, has fascinated artists, craftsmen and collectors for centuries. Concrete or plaster casting has long been compared with archaeology or geology: Le Corbusier famously lined the formwork of his béton brut buildings with shells; Constantin Brâncuși, described the unconscious and archaeological dialogue between mould and cast.
To cast literally means to throw. To send something (forcefully) in a specified direction, but with an uncertain conclusion. The art of the craft lies more with designing what will not be there, than what will. It is the alchemical process of casting that transforms them from object to artefact.
Enjoy this meditation on moulds and casting by Justine Bell in Ark Journal VOL IV.
IMAGE (TOP) MARY DUGGAN ARCHITECTS, CAMPUS, plaster model 1:500