CASE STUDY
— THE CHAIR
DESIGN
Each period of design history has its quintessential chairs. From the humble stool to the throne, they bear cultures and tell of time and place. The chair is the designer’s most challenging object, closer to a human being than any other piece of furniture, it contains the body, supporting it and reflecting it. Straight-backed or curvaceous, folded in plywood or woven in wire, vintage yet fresh or from now yet classic, everyday but rare. Our 12-page HOMAGE TO THE CHAIR celebrates expression and function.
PLUS
DESIGNER ILSE CRAWFORD WRITES ABOUT HER QUEST FOR THE PERFECT CHAIR
“THERE IS NO CASE TO DESIGN A CHAIR FOR ITS OWN SAKE BUT IN THE SPIRIT OF LESS BUT BETTER, AS SITTING IS CHANGING, SO IS THE IDEAL CHAIR.”
This story is featured in Ark Journal VOL I
PHOTOGRAPHY HEIDI LERKENFELDT
STYLING PERNILLE VEST
HOME AS A PASSAGE OF TIME
— MICHAEL ANASTASSIADES
Best known for lights, Michael Anastassiades lives in a pared-back, deeply considered manner, a way of life reduced to its essence.
OBJECTS AS ARCHITECTURE
— MARCIO KOGAN FOR MINOTTI
Marcio Kogan and his Studio MK27 is a name intimately linked to the contemporary modernist architecture movement in Brazil.
THE POWER OF GREY
— STUDIO OLIVER GUSTAV
A tribute to the poetic yet haunting atmospheres of the canvases of Vilhelm Hammershøi (1864-1916), designer Oliver Gustav’s studio gallery is modelled on the oil-on-canvas interior paintings of the fêted Danish artist.
CASE STUDY
— THE CHAIR
design
Each period of design history has its quintessential chairs. From the humble stool to the throne, they bear cultures and tell of time and place. The chair is the designer’s most challenging object, closer to a human being than any other piece of furniture, it contains the body, supporting it and reflecting it. Straight-backed or curvaceous, folded in plywood or woven in wire, vintage yet fresh or from now yet classic, everyday but rare. Our 12-page HOMAGE TO THE CHAIR celebrates expression and function.
PLUS
DESIGNER ILSE CRAWFORD WRITES ABOUT HER QUEST FOR THE PERFECT CHAIR
“THERE IS NO CASE TO DESIGN A CHAIR FOR ITS OWN SAKE BUT IN THE SPIRIT OF LESS BUT BETTER, AS SITTING IS CHANGING, SO IS THE IDEAL CHAIR.”
This story is featured in Ark Journal VOL I
PHOTOGRAPHY HEIDI LERKENFELDT
STYLING PERNILLE VEST