CASE STUDY
— NEW FOLK
Design
Whether using traditional or innovative materials, designers lean on the craft and expertise of former practitioners to carve, shape, mould or weave. Employing techniques and cross-cultural elements that honour the inspiration of craftspeople and artisans who have gone before them, they continue the idioms but expand the expressions in contemporary works. These totems for a modern tribe, bearing character earned by the passing of time, are displayed in a building owned by Ole Høstbo, founder of gallery Dansk Møbelkunst, a specialist in in rare and original works of Danish design, who also loaned several pieces.
This Case Study appears in Ark Journal VOL VI.
STYLING PERNILLE VEST
PHOTOGRAPHY ANDERS SCHØNNEMANN
RETOUCH THOMAS CATO
TAILORED INTERIOR
In the small Belgian village of Itegem, interior architect Peter Ivens discovered a unique and exotic villa with well-preserved 1920’s details reminiscent of a classical British colonial style – a central stairway, symmetrical plan, alcove windows, hipped roof and upper dormer windows.
CASE STUDY
— MONUMENTAL MONOCHROME
The enduring aesthetic of Danish furniture has always been entirely in step with other contemporary design practices, ceramics, glass, textiles, and particularly architecture.
LANDON METZ
Space is important to Landon Metz. In his art, pools of colour float across canvas leaving vast areas of unprimed fabric. In his studio the same sense of space – and the importance of the negative – is evident in the blanks between sparsely scattered furniture and plants.
CASE STUDY
— NEW FOLK
DESIGN
Whether using traditional or innovative materials, designers lean on the craft and expertise of former practitioners to carve, shape, mould or weave. Employing techniques and cross-cultural elements that honour the inspiration of craftspeople and artisans who have gone before them, they continue the idioms but expand the expressions in contemporary works. These totems for a modern tribe, bearing character earned by the passing of time, are displayed in a building owned by Ole Høstbo, founder of gallery Dansk Møbelkunst, a specialist in in rare and original works of Danish design, who also loaned several pieces.
This Case Study appears in Ark Journal VOL VI.