The landscape surrounding Carl Emil Jacobsen provides the materials and colours that form his sculptures, reminiscent of ancient forms and archaeology.

Fragments of memory and changing seasons are evoked in the ceramics and textile assemblages of Patricia Perales García as costume design crosses over with sculpture.

In The Collector’s Eye, the melange of disparate elements, vintage and contemporary, refined and brutalist, are united by a discerning eclecticism in an historic exhibition space.